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Nighttime photography blog and resource
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Comment on 5 Reasons Micro Four Thirds is the Best Nighttime Mirrorless System by Max
Oh so the article goes from the clickbait title "m43 is the best night system" to "...is the best mainstrean (crop sensor) night system"
Comment on 5 Reasons Micro Four Thirds is the Best Nighttime Mirrorless System by Christopher James
It is definitely misleading, although the aperture certainly is .95, that is a figure based on focal length. The total amount of light gathered by lens is not equal untill crop factor is applied. That is why I for instance ISO 1600 starts to show noticeable noise on micro 4/3, is very faint on aps-c, and near invisible on FF. ISO is a measurement based on a certain area, not total area
Comment on Cheap Speed: Yongnuo YN50mm F1.8 Review (vs. Nikon 50mm f/1.8G) by Metro96
thanks. I had ordered the Yongnuo to go with my yet to arrive SL2 but since it will be my primary lens for a while I decided to cancel it and order the Canon lens instead.
Comment on 5 Reasons Micro Four Thirds is the Best Nighttime Mirrorless System by Loungefly
There is one significant aspect to this that makes this article misleading. You failed to mention that although IBIS allows a user to keep the iso low by allowing much lower shutter speeds handheld, that is only relevant if you're shooting static scenes and/or you don't want to freeze action. You're not going to be able to prevent motion blur if you're having to shoot at 1 second in order to keep the iso under an acceptable limit (1600-3200iso depending on how much noise you're okay with).
Comment on 5 Reasons Micro Four Thirds is the Best Nighttime Mirrorless System by marcos
Regarding light-gathering ability, f0.95 is f0.95 for whatever sensor size. Regarding bokeh, f0.95 in a m43 sensor gets a depth of field as shallow as f1.9 in FF. However, as this article deals with night photo, light gathering is what it counts, so not misleading at all.
Comment on White Balance for Common Streetlights by How to Shoot In Night Fog - Shutters in the Night
[…] was once a single bright dot of light and throwing it across the frame. This also highlights the colors of artificial lighting and makes them a key part of the photo, as shown below. When shooting fog with artificial lighting, […]
Comment on Interview with Sebastian Tontsch by Page not found - Shutters in the Night
[…] Interview with Sebastian Tontsch […]
Comment on White Balance for Common Streetlights by My Homepage
<strong>... [Trackback]</strong> [...] Informations on that Topic: shuttersinthenight.com/2016/12/14/white-balance-common-streetlights/ [...]
Comment on Photography at 200mph: Interview with Kurt Bradley by Photography at 200mph - An interview with motorsports photographer Kurt Bradley - DIY Photography
[…] find out more about Kurt and see more of his work on his website. This article was also published here and shared with […]
Comment on Review: Joopic CamBuddy Pro by Arun Rohila
This does NOT work with the Nikon D5100 if you are trying to see what you're going to shoot as there is not USB cable that plugs into the camera that they send with the CamBuddy Pro.